Évariste Vital Luminais
The Sons of Clovis II (1880)
French media artist and director Clément Cogitore shares his impressions of the painting, referring to a rare subject from the medieval history of France
Here artists, curators and researchers tell about a work from the history of art that explores the theme of delaying time, contemplation, solitude. Or a story about an artwork — from the collection of their own museums, or from The Pushkin Museum – that became a starting point for a long focused reflection and worked as a time machine, connecting one with other eras.
French media artist and director Clément Cogitore shares his impressions of the painting, referring to a rare subject from the medieval history of France
Ekaterina Igoshina, head of the Research Library of The Pushkin State Museum of Fine Arts, shares experiences of an exemplary recluse
Danila Bulatov, researcher at The Pushkin Museum and specialist on post-war German art, on meeting with oneself and entering “super-time” and “anti-space”
Alisa Prudnikova, Commissioner of the Ural Industrial Biennale, tells how it is important to be tête-à-tête with art
Alexander Burenkov, curator of the Cosmoscow Foundation for Contemporary Art, on a balance of sensual and rational in the world of tomorrow
Irene Lebelle shares how the artworks of the leading Impressionist can teach focused contemplation
Do you want to know what deep media art is (what? yes!), Dmitry Bulatov, a researcher in the field of art & science, will not only tell you about that but show it, as well
Polina Kosmadaki, curator of the Benaki Museum, Athens, tells about the artworks depicting different perception of time
Anastasia Karpova Tinari, director of Chicago / New York gallery Gray, shares her experience of encounter with an American artist and real connoisseur of time McArthur Binion
Anna Gor, director of National Center for Contemporary Art – Nizhny Novgorod, tells about the way the art teaches to pay time and attention to oneself
Curator of Kunsthistorisches Museum, Vienna, Jasper Sharp on what lies behind a tick of the clock and on a harmony based on differences
Curator Joanna de Vos reveals Jan Fabre’s secret and shares intimate worlds of the artist
The Pushkin State Museum of Fine Arts curator Anna Poznanskaya tells how the main rebel of the French Realism self-isolated in the Swiss Alps
Svetlana Zagorskaya, deputy head of the Old Masters Department of The Pushkin State Museum of Fine Arts, on the search for harmony in the paintings of the old masters